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The square in front of the city hall is adorned with a 10 meter pillory made of sandstone. This is an accurate copy of the pillory, which had been standing in this place since 1492, but was destroyed in February 1945 and was finally demolished in April 1947. In the thirteenth century the eastern wall of the city hall square was surrounded by a ditch and a wattle fence, where the court cases took place. At the beginning of the fourteenth century it was covered with fine brick and stone paving and a wooden pillory was set. The possession of pillory in Wroclaw was a reason for pride, for the city was testified to grant legal privileges, which let the use of punishment of sword. The same was true with the presence of the executioner and the possession of the gallows. They added prestige to the city, paid attention to the respect of liberties and laws. The first gallows in Wroclaw were in 1370 on site of contemporary Pułaskiego street, the other before Świdnicka gate, and the third on the market about 1515, opposite the house number 19 called “Under the old gallows.”
In the mid-fourteenth century the town hall square was rebuilt and the place of judicial Wójtowską Hall was erected, where a mayor and eleven jurors were working. In 1492 under the windows of the hall, a three-step pedestal, new, stone pillory was built in the workshop of Preusse’a and Gauskego. Paul Preusse was a Saxon architect, stone mason and bricklayer, who, thanks to the identified club character, could be attributed to many works and architectural details including the southern facade and interior of the nave of Wroclaw Town Hall.
The pillory was made of sandstone and had the shape of the pole maintenance trapeziums openwork pentagonal lantern, which passed above the pyramid on the edges of the finished decorated figure. It had seventy centimeters and presented a headman, also known as Roland with a sword and a bunch of rods. On the top there was a metal wind flag with an additionally cut “W”. Some pillar pillory had metal rings to which convicts were tied.
The last public execution in the pillory was probably in the late eighteenth century and the last sentence of flogging in the late nineteenth century. In 1848all the metal parts, brackets and chains for the convicts, were removed, and in 1852 it was decided to destroy the pillory, which was not allowed by Frederick William IV of Hohenzollern a Prussian ruler who had great passion for architecture, art and history.
Between 1947 and 1985 Wroclaw market did not havethe distinctive pillory at the intersection of Oławska and Świdnicka streets. A case of reconstruction of the pillory returned on various occasions. In the 80s a lot of authorities, institutions and media were involved in it. While working at the Laboratory for Conservation of Monuments the creators of the present pillory took into consideration sketches, photographs and drawings of the pillory from 1925. The official unveiling of the pillory took place on 30 December 1985.
Nowadays the pillory is the most popular meeting place for Wroclaw’s residence.
Source: tuwroclaw.com
Stacey Kent is one of the most famous vocalists who has interesting timbre of voice and who sings jazz. With the release of the first solo album “Close Your Eyes” in 1997 critics announced the new jazz star with clear, captivating voice and with the skills of phrasing and unique style that joined sensitivity and sophistication. Her covers of standard songs “Great American Songbook”, Brazilian repertoire and songs of Duke Ellington, Cole Porter and Antonio Carlos Jobim all have the characteristic modern contribution made by Stacey Kent.
Real success came with the release of her sixth album “Breakfast On The Morning Tram” (under the name Blue Note label), Autumn 2007, which was sold worldwide in 300 000 copies. France was a special place for Stacey Kent: the sale of her album – 150 000 copies – broke the record. She also went on a tour for which tickets were completely sold out. Moreover, in the spring of 2009 she was awarded an order – the Ordre National des Arts et des Lettres – by the French minister of culture. It was already visible on the album that she loved France as she included few songs from the French repertoire there: “Samba Saravah” and two covers by Serge Gainsbourg.
On the last album “Raconte-moi” Stacey came back to the classics of French music, rediscovering such music artists as Barbara, Paul Misraki, Georges Moustaki, Henri Salvador, Michel Jonah, Keren Ann and Benjamin Biolay. In addition there are original works of young talented musicians there: Claire Denamur, Pierre-Dominique Emilie Burgaud and Satta, whose debut single is the song “La Vénus du Mélo”.
Time: 24.10.2011 8 p.m.
Place: Sala Koncertowa Radia Wrocław